She became an inspirational figure, finding success as a writer, a lecturer, and an educator. Nonetheless, without vision and hearing she was at greater risk of injury or death, and cut off from many experiences that would have added to her joy in life. To understand how the senses operate in protecting and enriching our lives requires a knowledge of sensory processes. Today psychologists distinguish between sensation and perception.
Less well understood is the role of the kinesthetic sense in musical listening. Recent observations that listening to music is associated with fast, subtle, pitch-related patterns of kinesthetic sensations that involve the ears, eustachian tubes, nasopharynx, vocal tract, and even muscles of facial expression challenges traditional accounts of auditory processing divorced from peripheral vocal input and suggests, instead, the hypothesis that auditory and vocal processing mechanisms rely on shared peripheral substrates in addition to shared central brain-based substrates.
Furthermore, the presence of kinesthetic sensations that arise in response to novelty, following voluntary switches of attention and even in anticipation of familiar sounds suggests that the kinesthetic sense plays an important part in the listening process. Here, the significance of kinesthetic sensations associated with listening behavior is discussed within the context of recent MRI investigations where pitch-related changes associated with vocal production are investigated under conditions that reduce articulatory and postural input to a minimum together with evidence from a diverse range of historical and contemporary sources.
Overall, evidence from a wide range of disciplines supports the hypothesis that auditory-vocal processing relies on shared peripheral substrates in addition to shared central substrates and suggests a framework within which kinesthetic vocal sensations may be further investigated.
Wide-ranging implications arising from improved awareness of the part played by the kinesthetic sense in musical listening are discussed.In some conceptions, sense is understood as the whole and meaning is viewed as the component part; in other conceptions, sense is seen as a component of meaning.
In the sense-text model, sense is a concept that describes the global content of an utterance. Description of Kinesthesis. Kinesthesis: The sense by which muscular motion, weight, position, etc., are perceived.
Source: MeSH Kinesthesis: Related Topics. These medical condition or symptom topics may be relevant to medical information for Kinesthesis: SYN Kinesthesia.
Hierarchical classifications of Kinesthesis. Through the sense of kinesthesis you can tell, even with your eyes closed, where your arms are located.
When you play any sport, when you drive a car, when you move around, you need to know where your limbs are located so you can move them to the right positions.
sense of touch: somesthetic sense | psychology Olfaction, Gustation, Tactile & Spatial Using our free SEO "Keyword Suggest" keyword analyzer you can run the keyword analysis "Kinesthesis .
Kinesthesis and equilibrium are proprioceptive senses, from the root proprio, which means belonging to the body. Kinesthetic receptors detect change in body position. What Is Kinesthesis? Psychology Definitions - Verywell Kinesthesis, also known as kinesthesia, involves the perception of body movements and body position.
Learn more about the kinesthetic senses. Kinesthesis definition, the sensation of movement or strain in muscles, tendons, and joints; muscle sense.